Although I have no beauty, colour & perfume Am I not after all the grass of His garden?” — Saadi COLOURS OF PERSIA: PERCEPTIONS, ACCOUNTS… Susan Allix (b. 1943) London, 2007 N7433.4 A57 C65 2007 From the artist: “The text is arranged around the headings of five cities – Tehran, Mashad, Yazd,...

“The simplest color relationship…still requires understanding of the color characteristics…that is, hue, value, intensity and temperature, etc.” –James Trissel COLOR FOR THE LETTERPRESS James Trissel Colorado Springs: The Press at Colorado College, 1987 NE1850 T75 1987 Twenty unnumbered, unbound folded leaves issued in plastic and wooden cases. Edition of seventy-five copies,...

A Black, E white, I red, U green, O blue: vowels, I will someday speak of your unseen births: A, black corset bristling with glittering flies That buzz around cruel smells, Gulfs of shadow; E, innocent vapours and tents, Lances of proud glaciers, white kings, frissons of an inflorescence; I, crimsons,...

An inflammatory guide: banned & challenged… Jessica Spring Tacoma, WA: Springtide Press, 2012 xN7433.4 S713 I54 2012 From the colophon: “…printed by hand to commemorate Banned Books Week…” Letterpress printed. Accordion folded pages attached to match-book style binding with staples. View the original article on the OpenBook Blog...

  So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. — William Shakespeare, Sonnet XVIII The Poems of William Shakespeare William Shakespeare (1564-1616) Stamford, CT: Overbrook Press, 1939 PR2841 A2 K5 1939 Edited by George Lyman Kittredge, Gurney Professor of English Literature,...

“Where the hooves touch the ground.” NIGHT FEET ON EARTH Ken Campbell London, England: Ken Campbell, 1986 N7433.4 C36 N44 1987 Artist’s statement: “The recent visitation by Halley’s Comet, and its image upon the Bayeux Tapestry, brought forth a poem about comets and a divine child descending:; a rather pagan...

GREED Vermont: Janus Press, 2013 N7433.4 V37 G74 2013 Printed on eight leaves connected laterally and folded accordion style to form a continuous strip which is affixed to the cover. Four of the leaves are illustrated with Claire Van Vliet’s black and white lithographs of distorted faces: a...

“Sing a song full of the faith that the dark past has taught us Sing a song full of the hope that the present has brought us Facing the rising sun of our new day begun Let us march on ’til victory is won.”...