Join performance artist Guillermo Gómez-Peña with cameos by Balitronica Gómez for a showcase of his latest solo work, The Most (un) Documented Mexican Artist, a unique perspective on the immediate future of the Americas. With his performance troupe La Pocha Nostra, Gómez-Peña offers critical and humorous commentary about the art...

“But I must gather knots of flowers and buds, and garlands gay; For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.” – Alfred Lord Tennyson, “The May Queen”...

“These showings of Intertype “Fotosetter” Garamond mark an important event in the history of Intertype Corporation. All of the composition was produced on an Intertype Fotosetter photographic line-composing machine. The original film positives were used to make deep-etch lithographic plates, from which this booklet was...

“All for the People and all Through the People” — Programma Revolution had been bleeding red on the tongues of Russian citizens for a least a decade before the fateful Autumn of 1917 when the Bolsheviks seized power from Tsar Nicholas II, ending the 300 year...

“But I know,” I know that they’ve got me in the wrong place! I know it! I know it! I know it!” PRELUDE TO EDEN: A DRAMA FOR MARIONETTES William Addison Dwiggins (1880-1956) Hingham, MA: Püterschein-Hingham Press, 1956...

“Who are we that fled the thousand lives we did not lead in order to escape the very one life that we were destined for?” The Architextures 1-7: The Man of Music Nathaniel Tarn (b. 1928) Sherman Oaks, CA: Ninja Press, 1999 PS3570 A635 A7 1999 Nathaniel Tarn was born...

“Look at me! I’m the man they call Sudden Death and General Desolation! Sired by a hurricane, dam’d by an earthquake, half-brother to the cholera, nearly related to the small-pox on the mother’s side! Look at me! I take nineteen alligators and a bar’l of...